Colorful and Playful Art That Focused on Trivial Subjects

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8 Australian artists using colour in artistic means

You tin can innovate colour to your home in so many different ways, but one potent piece of fine art volition make the nearly touch. These 8 Australian artists use colour in creative ways.

Often without realising, and sometimes only very subtly, your mood shifts every bit yous walk into a room. This has a lot to do with the sounds, objects and colours that surround you. And so it follows that you can harness the power of colour to create your space with mood in heed. Fine art is the perfect identify to start and some of our very own local Australian artists are using colour in incredibly beautiful ways.

Take inspiration from eight leading Australian artists, including Archibald-prize winner Fiona Lowry, sculpture creative person Tracey Deep and gimmicky indigenous painter Otis Carey…

Painter Lara Merrett relaxes in her fine art studio. Photography: Carine Thevenau.

Lara Merrett; Painter, Sydney

Painterly, romantic, large-scaled and playful is how Sydney-based creative person Lara Merrett describes her work. For Lara, colour plays a meaning part but it is not conclusive.

Lara Merrett's Casus Fortuitus exhibition at Karen Woodbury Fine Art in Melbourne. Photography: Jek Maurer.

"My work isn't about colour but it'southward the most of import tool I use to create an environment or feel," she says. "Colour is a memory, emotion, free energy and, when I'm lucky, a sound."

Into the Drop Zone, 2018, acrylic and ink on textile, Lara Merrett.

To create her breathtaking pieces, Lara pours synthetic polymer paint and ink on sheet driblet sheets, allowing it to puddle, stain and evaporate in unpredictable ways. "No color is off-limits. I love the idea that I could invent a new one," says Lara. "Colour is total of endless possibilities… I imagine like writing a song."

Otis Carey painting his artwork Gaagal - Pink, acrylic on canvas. Photography courtesy of China Heights Gallery.

Otis Carey; painter, Byron Bay

Gimmicky indigenous artist and pro surfer Otis Carey is making waves on the art scene with his super-intricate, mesmerising and sometimes hypnotising paintings. Through his artworks Otis wants viewers to feel a connection to his civilisation and country.

Gaagal - Bluish, acrylic on canvas, Otis Carey.

"I utilize traditional symbols and exaggerate them in a way that'due south gimmicky," he explains. "Or I'll use the symbols very gently then that the untrained eye wouldn't be able to tell, but the artwork every bit a whole has the same figurative viewing as the symbol would on its own."

Gaagal - Cherry, acrylic on sail, Otis Carey.

Colour plays a lead role in Otis's story telling, as well. "Each colour represents an animate being, a certain tree, a sure rock, a bend in the river, an eagle's nest…"

Fiona Lowrey in her studio. Photography: Jo Casamento.

Fiona Lowry; painter, Sydney

Intoxicating dream-like scenes depicting eucalypt forests, rivers and other typically Australian landscapes are what Archibald prize-winning artist Fiona Lowry is best known for. Her signature, almost haunting style is accomplished by using an airbrush and restricted colour palette.

A Silence, 2018, acrylic on sheet, Fiona Lowry.

"Choosing colour is an intuitive process," she says. "Often though, I'm thinking about how the colours volition vibrate adjacent to each other or how the softness of a particular application tin make the work experience equally if information technology'south a dream space."

The Ties That Bind, 2018, acrylic on canvas, Fiona Lowry.

Fiona's controlled approach to color and unique technique of mistiness and focus brand viewing her fine art an ambiguous yet thrilling experience.

Murray Fredericks snapped in his element. Photography: Marcus O'Brien.

Murray Fredericks; photographer, Sydney

Murray Fredericks goes to peachy lengths to capture his eerily powerful landscape photographs. He can spend anywhere upward to five weeks at a time in remote locations around Australia searching for "limitless spaces" where the sky and earth collide.

Assortment 11 (Venus and Jupiter), 2018, digital pigment print, Murray Fredericks. Epitome courtesy of Arc One Gallery Melbourne.

"Being isolated for extended periods of time, where your whole earth becomes the day and night sky, takes you lot away from the little stresses of daily existence – it's accented joy," he says.

Mirror xix, 2017, digital paint print, Murray Fredericks. Image courtesy of Arc One Gallery Melbourne.

What office does colour play in a photograpic artwork? "Colour does a lot of the emotional heavy lifting," explains Murray. "My work is about conveying the emotional experience of place, and if the colour is even slightly over or underdone the prototype falls flat."

Laura pictured in her art studio. Photography: Carine Thevenau

Laura Jones; painter, Sydney

It comes as no surprise that Laura Jones, who used to exist a florist, is well known for her all the same-life paintings of flowers. Her richly layered oil paintings of petals, leaves and vibrant florals burst off the canvases.

Soft Stars and Crystal Caterpillars, 2018, oil on linen, and other works in progress, Laura Jones. Photography: Carine Thevenau, courtesy of Laura and Sophie Gannon Gallery.

"The subject matter is just an excuse for playing with color as much equally I can – colour is what makes me excited to start a painting!" Laura explains. This free energy and enthusiasm is evident in her vibrant artworks.

Rhodes, 2018, oil on linen, Laura Jones. Image courtesy of Laura and Sophie Gannon Gallery.

"I go through phases of using certain palettes and for me information technology'due south all about how each colour sits next to, or on top of, another colour," says Laura. "At the moment I'grand using a lot of lemon yellow, and I feel like these choices come from my general mood about life."

Tracey pictured at her Under the Sea exhibition at Saint Cloche Gallery, Sydney. Photography: Nicholas Watt.

Tracey Deep; Sculpture artist, Sydney

Colour doesn't accept to exist bright and in your face to make an touch. Tracey Deep's fine art is a clear case of this. Her sculptures, which are constructed using natural materials in earthy tones, are absorbing and inspiring.

Jellyfish, bamboo and alpaca fibre, Tracey Deep.

"Colour for me is a natural palette," explains Tracey. "I'yard drawn to tones that you lot might come up beyond walking through an ancient woods or an indigenous native landscape, and to things that seem aged and worldly."

Weeping Willow, bamboo and wool fibre, Tracey Deep.

Tracey likes working with recycled and organic materials, in particular. "I observe huge inspiration in transforming found objects into something totally new, and creating a piece of work from something that had a previous life and taking information technology to another sculptural and playful evolution."

Ken sits in forepart of his Across Sunflowers artwork. Photography: Stuart Spence.

Ken Washed; designer and painter, Sydney

Bright, confident hues are at the core of iconic Australian artist Ken Done'south paintings, from his minimal, near childlike portraits correct through to his ubiquitous scenes of Sydney Harbour and its surrounding beaches.

Mauve Sea, 2017, oil and acrylic on linen, Ken Done.

"Colour is similar notes on a piano; it'south all virtually the relationship of one to some other," he says. "In most cases I'1000 drawn to optimistic colours and the visual joy of their relationships."

Magenta Afternoon, 2017, oil and acrylic on linen, Ken Washed.

Ken's vivacious perspective and unabashed employ of colour results in uplifting artworks that pack a punch. "In paintings where you use lots of colour information technology's similar being in front end of a large orchestra – each colour must play its part and work towards a satisfactory conclusion."

Martine and studio pup Wahlo with her new artworks hung behind. Photography: Jem Cresswell.

Martine Emdur; painter, Sydney

Yous tin't assist but feel refreshed and revitalised after looking at ane of Martine Emdur's artworks. Her paintings, which feature bodies, and bodies of h2o, are highly sensual, evocative and ethereal.

Yellow Bikini, 2018, oil on linen, Martine Emdur. Image courtesy of Nanda\Hobbs.

"I've always constitute the bounding main hypnotic with its endless shapes, forms and colours – every style y'all expect at it is inspiring," says Martine. "Color informs every surface's motility in and abroad from the light and into the shadows."

Women on Embankment, 2018, oil on linen, Martine Emdur. Prototype courtesy of Nanda\Hobbs.

A cool ocean-inspired palette of blues and greens and more fleshy and earthy tones defines Martine's gimmicky pieces. "I intend my works to convey a sense of at-home, of surrender. I hope people emerge, through vision, with a sense of space and lightness."

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Source: https://www.homestolove.com.au/australian-artists-colour-19976

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